1971 "Tour"
A Canadian Amusement History Special Feature
This "tour" through the House of Frankenstein as it would have been the year it opened is made possible by an old souvenir guide book provided by Donald Deveau, as well as countless recounts of former staff and guests. A huge thank you to members of the Dunham family of the Waxattract company who's artistry, creativity, and passion built the attraction, and were kind enough to share information that also made this article possible. Here you'll see just how impressive the original version of this attraction remains today, but keep in mind this was over a whopping 50 years ago. "Come in... and 'kill a little time' with us..."
Guests were met with terror before even entering the building, which was a large gothic manor, complete with an imposing clock tower featuring a working clock. The originally grey and red building stood out on the street, and strobe lights flashed in the second-story faux windows to simulate lighting inside bringing the titular Monster to life. A large Frankenstein's Monster head sign flashed red as it was struck by a large neon lightning bolt, and a live actor playing the character roamed under an awning, weeding out the weak before they were even able to near the doors. After passing the Phantom of the Opera in the front window and the skeleton escaping his coffin in the lobby (as well as a display of antique guns, apparently), guests would purchase their ticket and enter a door next to the counter.
The Monster outside was terrifying to some, and a great photo-op for thousands of others who got their photo taken with the Monster.
A portion of "The Grotto". The echo effect apparently sent several guests running straight back out the door.
"The Comte De Lorge" glares menacingly from his cave-like prison.
Guests would immediately find themselves in "The Grotto", with cave rock walls and the sound effects of a vast cave. They would soon come to an opening of mummified corpses, stalagmites, and circling bats. There was also an echo effect, where guests would actually hear their own voice's echo seemingly chase them down the hallway. This was achieved via microphones hidden in the stucco rock cave walls and a surround sound audio system with heavy reverb. Sent running by the sound of their own voice, guests would be met with perhaps the most gruesome and detailed area in the museum: the torture scenes. The "Comte De Lorge", imprisoned in the Bastille and forgotten about for over 30 years, raised his head and outstretched his arms in desperation at the sight of another human being. The massive "Medieval Torture Chamber" was next: a large room-sized scene with prison-bar walls on three sides that guests would walk around. Many met their bitter end in the torture chamber as guests looked on in horror. There was a flaying alive where a victim's skin was ripped off their body, a branding with a hot coal between tongs, a hanging by the thumbs, the stocks, a bed of nails where heavy stones were lowered into the victim via pulley, an "Iron Maiden", a man with his head in a cage of hungry rats, a man chained to rotating platform, and the infamous Rack stretching a victim in two, among several other unfortunate ends.
The next scene was originally various artifacts likely tying into a torture or punishment theme, however this scene didn't last long (as even evidenced in the guide book by: "This scene will be changed and added to over time.") It's likely this was quickly replaced with one of the torture scenes later found in the Lake George location or the Castle Dracula attractions, such as the Druid sacrifice. Next guests would discover "The Forgotten Prisoner", a writhing skeletal figure chained to the wall of his cell, and then pass the "Barrel Drowning" where a man was dunked in and out of a barrel, an always lethal precursor of sorts to waterboarding. Next guests would enter the modern crime and punishment area, where very real, still relevant horrors held domain. The uncaught "Machete Murderer" of California showed off his collection of severed heads (and machete), "Charles Manson" attempted to escape his straight jacket, loud starling machine guns echoed from a recreation of the "St. Valentine's Day Massacre", and the "Boston Strangler" peered menacingly at guest's necks. Guests would also see the "Bird Man of Alcatraz", "Jesse James", "Wyatt Earp" in a violent shootout at the OK Corral, "Bonnie and Clyde", and "Sherlock Holmes" discovering a cadaver.
A postcard of the torture chamber from the later Lake George location with the lights on. Many, if not all of these figures would have been created from the same sculpts and molds as those in the original Niagara location. To give an idea of the size of this area, only about half of it's contents can be seen in this image.
The "Barrel Drowning" (left), "Wyatt Earp" about to draw his gun at the infamous Doc Holiday OK Corral shootout (right)
"Sherlock Holmes", although the frightening scene he's examining unfortunately can't be clearly seen in this image.
The "Electric Chair" scene as it appeared up until 2020 in the Lake George location. The original victim has since been replaced with an off-the-shelf prop.
"Canada's First Hangman" was next, a death row prisoner himself who volunteered to do the dirty work for the government in exchange for his life. He operated a detailed gallows which guests also activated. On the same note of gruesome punishments, the half-eaten remains of a man being devoured by hungry ants protruded from the sand in the next scene: the "Ant Torture", which was uncomfortably located at eye-level. The punishments were rounded out by the towering, famous Guillotine scene which gained the attraction fame, a witch burning where a judge sentenced a screaming woman to be burnt at the stake (complete with fake flames), and "The Axe Man" sharpening his axe at a grinding wheel in front of his next victim. Fittingly bridging the gap between fiction and reality, the last scene in the crime and punishment area (or first scene in the fiction section, if you look at it that way), was Jack the Ripper gruesomely "ripping" his victim with his blade.
In Lake George, "The Axe Man" scene is known as "A 17th Century Beheading", where it's still located today. It's likely this scene is identical to it's long-removed Niagara counterpart.
Sometime around this point in the attraction, guests would ascend to the second floor. The present-day staircase up has a scene on the landing halfway up the staircase, however the staircase up and the staircase down may have been reversed at some point since the attraction opened (see main article on the attraction.) If this was indeed the original stairs up, which scene would have been on the stair landing, or if it was listed in the guide book off which this "tour" is based, isn't clear. That being said, the next scene after Sherlock Holmes was the Electric Chair, which the U.S. had only discontinued use of 8 years prior to the attraction's debut. Guests activated it at the push of the button, for an added sense of unease and remorse. The incredibly realistic effect featured the man jolting around in the chair and screaming wildly, accompanied by stobe lights and real carbon arcs causing smoke.
The "Ant Torture"
"The Guillotine" in 1998 shortly after it's made a cut. This remains one of only two original scenes in the attraction today.
"Jack the Ripper" plunges a knife into his victim in a claustrophobic London abbey.
By now guests were certainly upstairs if they had not already been for several scenes, and the Phantom of the Opera sat playing his organ, his wild and frantic music playing through the hall. Next the "Mutant", man's possible future if it continues its self-destructive path, gobbled on human flesh in a post-apocalyptic wasteland. Next was the "Witch of Endor", followed by Poe's "Pit and the Pendulum" torture device, where the endlessly swinging pendulum blade cut a seemingly ever-deeper gorge in a victim's stomach. The next scene was perhaps one of the most impressive: "The Seance." Three people sat a table along with a medium and her crystal ball. Upon activation, the ball would begin glowing as the table began to float. Items in the room began to violently move and bang on their own as the lights flickered, air cannons blasted at guests, and air-powered ankle whips along the bottoms of the walls tickled at guest's feet (these were later relocated earlier in the attraction when the scene was removed.)
Clockwise from left: The "Phantom of the Opera" (above) plays his pained organ music. Along with the aforementioned Guillotine, these remain the only two original scenes in the attraction. Timelapse shot of the "The Pit and the Pendulum" scene swinging (top right), and the popular "Seance" room (bottom right).
"The Edinborough Body Snatchers"
Running scared away from the spirits summoned by the Seance, guests found themselves face to face with the "Edinborough Body Snatchers" robbing a grave. The next classic film monster guests would encounter would be "The Hunchback of Notre Dame". Guests would then find themselves in the "Crypt", and then in "Hell" itself. Exiting a taste of damnation, guests would find "Edgar Allan Poe" reciting and scribbling his horror works on a page. Next was the "Twilight Zone": a mirror maze lit with strobe lights and the familiar black-and-white stripe pattern from the series of the same name painted on the floor. Exiting the mirror maze guests encountered Count Dracula himself, who slowly transformed into a bat via a light and mirror trick. Another classic film monster immediately followed: The "Creature From the Black Lagoon" in his swamp. In a welcome (yet still distributing) break for humans, the next scene featured the "Death of a Vampire", impaled with a stake through the heart, taking it's last gasping breaths.
Guests would witness the godfather of horror himself at work in the "Edgar Allan Poe" scene.
The vampire Count Dracula (left) who would seem to transform into a bat at your very eyes. But fear not, after a quick journey through the swamp to meet the Creature from the Black Lagoon, guests would witness the "Death of a Vampire" (right) via a stake through it's heart.
The next scene was "The Attic Ghost": the supposed ghost of a bride killed by her jealous lover, who is then sentenced to spend eternity being haunted by her. The ghost herself was a hovering animatronic figure with a glowing head. After escaping the ghost, guests would walk past "The Room of Rats", where a man lay on a bed being eaten alive by rats, his chest slowly rising and falling. They would then find themselves face to face with the "Wolfman", who came lurching around a corner to grab them. Dodging the Wolfman's grasp, guests would flee into the Mummy's tomb, where the Mummy would slowly open his sarcophagus to rejoin the living. The next scene was a bit of comic relief, the House of Frankenstein "Wax Workshop", where a mad wax maker dunked a severed human head into a vat of wax in a supposed explanation of how the attraction's wax figures were really made. It's safe to say the actual Waxattract studios were probably a much more friendly place.
A man hopelessly devoured alive in "The Room of Rats."
(Above): The original "Wolfman" in 1998 shortly prior to it's replacement four years later. This blurry VHS capture between strobe flashes has been digitally enhanced to show as much detail as available. (Left):"The Wax Workshop" ("No Admittance") offers some comic relief to the attraction.
Narrowly avoiding becoming permanent residents of the House of Frankenstein, guests then found themselves on the "Strange Planet", a room with a squishy floor and trippy music playing. Countless blacklight eyes peered from the darkness, as well an animatronic figure of Metaluna Mutant from "This Island Earth". Returning to Earth, guests now walked past a graveyard featuring "The Undead" corpses rising from their graves. Next was the mad "Dr. Jekyll", who would transform into the evil "Mr. Hyde" at the press of a button via the same mirror trick as the Dracula transformation. A more natural scare, a massive "Gorilla" would be the next scene guests encountered.
"The Undead" rise from the graveyard.
"Dr. Jekyll" (left) and his transformation into the hideous "Mr. Hyde" (right). 2016. The scene's push button had already been modified several years prior to these photos to activate a corpse which slams into the plexiglass. The Doctor's transformation remained operational in some form in the background until it was shut off in 2018.
Doctor Frankenstein and his assistant peer over their creation just prior to resurrecting the Monster. The giant Jacob's Ladder effect as well as The Bride of Frankenstein are just out of frame.
Could this be the dress in question? By the point this capture was taken, the figure had already been moved to the lobby display, and then laid down elsewhere in the attraction. It didn't sport this dress in the lobby rather wearing a large sheet, however it may have been underneath the entire time. The figure was sadly removed from the attraction except for the head in 2019.
The final scene in the attraction would be "Your Host" (a grotesque hooded man) saying goodbye, giving you an invitation to return, and showing you the door. If the up and down staircases have been reversed at some point in the attraction's lifespan (as mentioned earlier), it's possible this scene was the one on the stairs landing. Guests would descend the stairs back to the first floor and come out in the gift shop, where they could buy a variety of monster themed and House of Frankenstein branded merchandise, as well as masks and latex hands of authentic House of Frankenstein monsters made from the same molds as the characters in the attraction.
Finally guests would reach the laboratory of Dr. Frankenstein himself. The doctor stood in front of a wall of elaborate machinery, his Igor-esque lab assistant at his side. In front of them was an operating table parallel to the window into the scene, and on it was "Frankenstein's Monster". Standing in the corner with a look of horror on her face was the Bride of Frankenstein, already brought to life, awaiting her future husband's re-awakening. The dress worn by the Bride was actually Betty Dunham's wedding dress, and it would manage to remain with the figure until she was removed from the attraction (save for the head) in 2019. Above the operating table the Monster lay upon was a massive Jacob's Ladder device in a ray gun suspended from the ceiling, pointed at the table. The Jacob's Ladder used actual electricity, and was a highlight of the attraction. At the push of a button, the Doctor and his assistant would flip the switches and levers, causing the Jacob's Ladder to intensify from it's resting state. As strobe lights illuminated the room, the Bride would scream in horror as the Monster would sit up on the table and turn it's head to look at the guests. The impressive scene was a fitting climax for an equally impressive attraction.
"Your Host" finally shows you to the door.
The collage featuring (top to bottom) "The Garrote" execution, "The Grotto", the lobby coffin display, the "Witch Burning", "The Mummy", a portion of the "Medieval Torture Chamber", "Canada's First Hangman", "The Machete Murders", The Bird Man of Alcatraz", Metaluna Mutant in the "Strange Planet" room, the mysterious ape-man, and the giant "Gorilla".
It's likely there were more scenes featured in the attraction that simply weren't listed in the guide book. Some can even be seen in a collage of images at the end of the book, such as the Garrote wire execution and a scene with a hairy ape-like man popping out from behind something. It's possible this was some sort of "Planet of the Apes" scene. The same collage also features a photo of what's presumably the Gorilla scene, however the figure looks strikingly similar to one in the Lake George location which held a Barbie doll and was placed in a miniature set to give it the appearance of King Kong. It's unclear in the photo of the gorilla figure if he's holding a Barbie doll or something else due to the image quality, but if he is, it's possible this is either infact not the Gorilla scene but rather an unlisted Kong scene, or that this is the Gorilla scene simply named that for copyright reasons, however the former would be more likely. The attraction's original brochure also mentions more scenes absent from the book like the "Mysterious Motel", the "Iron Lady", and the "Snake Pit"'. It's also possible that several of the other scenes originally found in the later Lake George location ("The Hatchet Man", "The Bathtub Murder", "The Grim Reaper", "The Price of Infidelity", "The Zombies", etc.) were also originally in the Niagara one, however the two attractions weren't exact carbon copies despite being nearly identical
Needless to say, the attraction was incredible and years ahead of it's time in technology, special effects, and concept. It's not hard to see from this description of the experience why it had the impact it did. Click here to return to the main House of Frankenstein page and read more about the attraction's impact on Niagara Falls and the greater amusement industry, as well as how the attraction has changed over time.